Wednesday, 29 August 2018
So many chickens! And most of them upside down, the crazy birds. I have no idea what they are doing, perhaps they are just having an afternoon nap, or practising yoga? Anyway, it's enough to make me toy with the name 'Wonky Chickens' for this stitchscape.
This was a piece I put together as a demonstration for a class I was teaching. I like to rotate round my demonstration pieces so after a couple of classes I will pick it up to start sewing on and make some more for the next class, it keeps things interesting for repeat students and means I am never without a project!
Because it was a demo there wasn't really much thought put into form and structure, or even fabrics to be honest. Other demos I did at the same time concentrated on different layouts (trees and mountains) so this one was more of a 'wiggle-and-see-how-it-goes' type of a layout for students who aren't really sure on a specific image. I worry now I've finished it that the combined layers are too busy, the wall doesn't stand out enough, there isn't enough contrast between the layers....not that I really know exactly what I would do differently to improve on it, and I don't dislike it completely. Ho hum.
I added in a strip of lace one I'd finished the majority of the layers as I didn't like the way the polka dot was looking, bringing the edge of the lace very flush with the couched embroidery thread edging the below piece. I'm quite chuffed with how neat it looks! It was then all too green in that middle section so I used the same colour thread I had used to create the french knot stems in the chicken layer and wove it around the spokes in the lace design, wrapping the thread around each spoke from the underneath. It is a nice idea to balance out an image by taking colours and carrying them up through; bring blues down from the sky into flowers, green from the top middle down to the bottom, yellow from the bottom left to the top right.... It doesn't always work out that way but may be something you might want to consider if you want to bring a piece together and make it look more cohesive.
Other layers are my usual simple stitches, rows of running stitch, seed stitch (this time with some detached chain stitch petals mingled in and following the line of the pattern underneath, can you see them?), back stitch to create a large cross-hatch with french knots on top, bullion knots to finish the edge...
The french knots at the top of the wall have been made using a single strand of four different colours twisted together to make a new stranded colour selection. It is very random and looks quite cool I think- each colour has been specifically selected because it matches a colour within the wall print. The bricks themselves have been outlined with back stitch using a black and brown single strand combined together to make a double strand. There's nothing to say that you can't create blended colours if one just doesn't cut it on its own!
The chickens themselves have been kept very simple, single stranded back stitch around the body outline and wings, orange straight stitch feet, single strand fly stitch beaks and double strand, single twist french knot topknots. They are lying on a ground made up of single strand, single twist french knots covering every spot in the original fabric, with some straight stitch lines that help build up a ground texture.
So what do you think? Is Wonky Chickens a fitting name?
Thursday, 23 August 2018
It's funny how ideas appear to people. With my stitchscapes it could be anything; a fabric I see, a view I notice on my travels, a string of words in a conversation, a dream, a brain thought, a holiday snap, an internet image. With my poppy themed stitchscape it was a brain thought that popped up when I was jotting down ideas, and with my winter sun themed stitchscape it was a Pinterest rabbit hole I fell into, looking at different wintry photographs people had posted there. I don't argue with any of the ideas, I just either write/draw them down or lay fabrics out in the hoop, even if I don't then touch it to begin sewing for several months afterwards. I always seem to have a back log of un-stitched stitchscapes waiting for my attention.
Names, I often find, are one of the hardest parts of completing a 'scape. I have toyed with the idea of not naming them anything at all, but then if I turn the design into a card, or list it on Etsy, it is much easier to already have a name . If I am lucky enough- like with my buildings range for which I knew before I'd started that they were Lionel's Lighthouse, Mrs Heggardy's Windmill and Bartholomew's Oast- then I can rest easy once I've finished sewing (or if a name comes to me halfway through) but sometimes I have to research names or ask for help, as in the case of my winter sun themed piece.
Google is a wonderful thing. After a five minute search playing around with dictionaries and thesauruses for words like 'winter', 'sunburst', 'sun', 'winter sun' I eventually hit on this word: Apricity: the warmth of the sun in winter. It's new to me, which is apparently because it is a really old word that may possibly have just been made up by a chap called Henry Cockeram in 1623 when he wrote his dictionary, The English Dictionary; or, An Interpreter of Hard English Words. Either the word has become lost over time or nobody wanted to use it, and according to the Merriam-Webster site on which I found it, can only now be found in the Oxford English Dictionary. Happily for me, and with great thanks to Henry Cockeram, it finally gave me a title for this piece; Apricity Woods!
I particularly like how I've managed to make it look like the sunshine is wrapping around the tree trunks by stopping and starting my stitches, it makes it look more three-dimensional somehow. Plus this piece sparkles and shines like mad when the sun catches it!! Something that is often hard to capture on camera- you'll just have to come and see it in person.
There is a lot of stitching that is now hidden by the sun rays. I always work the background layers first as I'm never quite sure where the rays are going to be positioned or what will be visible at the end. It probably wouldn't matter if I didn't sew the back but it wouldn't seem quite complete to me and for some reason I like to make more work for myself. In these layers I have seed stitch, running (kantha stitch), rows of closely worked straight stitch- not close enough to be satin stitch, but to make a single strand stripe which looks pretty cool (you can just about see it at the edges), and back stitch following a fleur-de-lis type print in the central yellow fabric band.
The tree pattern has, unusually for me, been worked pretty identically in all trees (apart from the edges). I will usually mix up the tree fabrics or try different techniques in each one but I really wanted the emphasis in this piece to be the light coming through the wood so the trees had to be relatively simple. I followed the fern-esque print with multiple fly stitches, some layered on top of each other where the pattern lines were heavier. The threads used were slightly different colours on different trees (mainly because I ran out of the first colour I started), and I filled some of the trunks with single strand running stitch, others were just outlined with running stitch. To edge the trees, I have couched a full complement of six strand embroidery stitch (middle tree), worked chunky pekinese stitch (second in from right), and bullion knots (far right). More bullions on the second in from the left, and whip stitch on the far left. In two trees I have also added an insert of another fabric to add a little bit more interest- it can't all be boring!- which is worked with more fly stitch and single strand whip stitch over the corded lines of the pattern. Excitingly, I tried something new in this piece, and the little tree stump sticking up at the bottom (below image) has pekinese stitch worked over a couched thread! Usually pekinese stitch is worked over back stitch, oh the thrill! (Just smile and go with it....)
The snow clumps have been worked in Stylecraft Acrylic DK yarn and DMC Silky embroidery floss- matte and shiny swirled together in a french knot frenzy!
Poppy Lane is a completely different kettle of fish and you can still see every tiny stitched worked in this piece- of which there are hundreds if not thousands! And before we go further I must apologise for the lighting in these photos, I was having a funny five minutes with the camera and they all came out either slightly too dark or over bright. Anyway, this is a little piece worked in a 15cm hoop, but with a lot crammed in there!
The houses themselves are very sweet with their stone work chimneys. As with the little house in The Snow Cabin 'scape, these were bondawebbed on to keep them nice and neat. I have worked straight stitch and fly stitch following the lines of the pattern in the chimney, and a really rough satin stitch over the main fabric of the house, again following the pattern that was there. The door and window have been satin stitched, the edges whip stitched and the roof created with rows of single strand straight stitch. Shrubbery in the garden has been added with pistil stitches, feather stitch and french knots.
I love the leafy print fabric above and have used it several times now, trying it with different colours and variegated threads. In this instance the stems and leaves were worked in two different greens and red french knots added where there are bobbles in the pattern. The wall underneath has just had a very simple treatment of back stitch outlining the stones in the wall, and the french knots at the top have been made with a three strand thread comprised of a single strand of three different colours to create my own variegated thread colour.
Seed stitch has been made more interesting by using two different thread colours, and also different weights of line- the darker, more citrus colour is three strands and the paler, mint colour is only two.
I had a slightly frivolous moment with smoke coming out of the chimneys. Originally I wasn't going to have anything drifting out of the chimneys as it wasn't a cold image, unlike The Snow Cabin which is all snowy and has a gauzy fabric for the smoke billowing from the chimney. I didn't want to add any more fabrics to this piece and ended up with whip stitch cartoon-esque swirls which I quite like really.
I find it very comforting that I still have so many ideas buzzing around in my head. My Aunt came over yesterday with some more ideas that she insisted I must do (based on Sarah Raven's garden and farmyards). I am more than happy to take on board ideas for stitchscapes but they are having to join a very long queue!!!
Tuesday, 21 August 2018
Last week my family descended on Hever Castle for a day out. The Sister had managed to obtain four free entries from her workplace and we decided to put them to good use, paying only for a student ticket. Not bad for a family of five adults.
I hadn't been to Hever for years! Which is a real shame as it is practically on our doorstep. The trouble is that it is privately owned so you have to pay entrance every visit, and as we are all National Trust members we tend to go more for the properties owned by them as it is then free entry for us. We are very lucky to live in an area that is jam packed full of these beautiful old houses, castles and gardens and are really spoilt for choice with our days out.
I am hoping to visit it more regularly however as they host a really lovely Handmade and Homegrown Festival every year which I would love to exhibit at (unfortunately I am away this year but am keeping an eye out for next year!).
There is lots to see; lots of lovely gardens, this beautiful lake on which you can hire out boats and pedalos, a rose garden, a water maze, jousting tournaments, knights and princesses, Italian gardens and of course the house itself which is steeped in royal history (Anne Boleyn and King Henry VIII anyone?).
One of my favourite parts was this enormous row of Dahlias. It stretched almost as far as the eye could see and was packed with nearly every different breed/brand/colour/creed of Dahlia imaginable!! I took so many photos just in this one section alone!
The castle is a proper, traditional looking castle complete with moat and drawbridge. Once you've made is safely over the bridge without anyone pouring boiling oil on you, you end up in a little cobbled courtyard and then round into one of the rooms in the castle itself. Quite a lot of it is visible by the public, and you can hire out the dining room for events!
Once outside again the weather was being very unpredictable, one minute it was pouring down with rain and the next it was glorious sunshine which made for some very moody castle shots with heavy grey clouds looming over the turrets. No one seemed to mind though and there were lots of visitors milling around.
You can buy little pellets to feed the ducks and swans which we spent a happy half hour doing. The ducks aren't fussy about who they get food from and come haring up to anyone walking past in the hope of a tasty treat. They also, it turns out, like nibbling on shoes!
The rose garden smelt amazing and looked just as incredible although I didn't get many photos of it as it was also stuffed to bursting with gardeners. Turning over flower beds, dead heading roses, pinning back rogue sprays, adding additional compost/nutrients to the soil, all working very hard.
If you are ever in the area around Hever (or fancy getting the train down) it's a lovely place to visit and lose yourself in for a day.